A
MAZE
IN
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THE
MAGICALALPHABET
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WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the
twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters
of the alphabet in a certain order one may put down almost any message
(this book 'is written with the same letters' as the Encyclopaedia
Britannica and Winnie the Pooh, only the order of the
letters differs). In the same way Nature is able to convey with her
language how a cell and a whole organism is to be constructed and how
it is to function. Nature has succeeded better than we humans; for the
genetic code there is only one universal
language which is the same in a man, a bean plant and
a bacterium."
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
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A
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
Page 250
"(The Book of Creation).
There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and
shows God creating the world by means of language as though
he were writing a book. But language has been
entirely transformed and the message of creation is no
longer clear. Each letter of the
Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal
connotations of words."
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THERE IS NO ATTEMPT MADE
TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC
AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION
IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS
WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS
CONFIGURATIONS
THE MYSTIC WEANED THE MIND
AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
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FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from
all over the ancient world should describe geological catastrophes in
graphic detail. Mankind survived the horror of the last Ice Age, and
the most plausible source for our enduring traditions of flooding and
freezing, massive volcanism and devastating earthquakes is in the tumultuous
upheavals unleashed during the great meltdown of 15,000 to 8000 BC.
The final retreat of the ice sheets, and the consequent 300-400 foot
rise in global sea levels, took place only a few thousand years before
the beginning of the historical period. It is therefore not surprising
that all our early civilizations should have retained vivid memories
of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the
myths of cataclysm seem to bear the intelligent imprint of a guiding
hand.l Indeed the degree of convergence
between such ancient stories is frequently remarkable enough to raise
the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or
superhuman, spoken of in so many of the myths we have reviewed, who
appears immediately after the world has been shattered by a horrifying
geological catastrophe and brings comfort and the gifts of civilization
to the shocked and demoralized survivors?
White and bearded, Osiris is
the Egyptian manifestation of this / Page 286 / universal figure, and
it may not be an accident that one of the first acts he is remembered
for in myth is the abolition of cannibalism among the primitive inhabitants
of the Nile Valley.2 Viracocha,
in South America, was said to have begun his civilizing mission immediately
after a great flood; Quetzalcoatl,
the discoverer of maize, brought the benefits of crops, mathematics,
astronomy and a refined culture to Mexico after the Fourth Sun had been
overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered
palaeolithic tribes which survived the last Ice Age and an as yet unidentified
high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,'
Galileo once remarked,
what sublimity of mind
must have been his who conceived how to communicate his most secret
thoughts to any other person, though very distant either in time or
place, speaking with those who are in the Indies, speaking to those
who are not yet born, nor shall be this thousand or ten thousand years?
And with no greater difficulty than the various arrangements of two
dozen little signs on paper? Let this be the seal of
all the admirable inventions of men.3
If the 'precessional message'
identified by scholars like Santillana, von Dechend and Jane Sellers
is indeed a deliberate attempt at communication by some lost civilization
of antiquity, how come it wasn't just written down and left for us to
find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed
or worn away after many thousands of years? Or suppose that the language
in which it was inscribed was later forgotten utterly (like the enigmatic
Indus Valley script, which has been studied closely for more than half
a century but has so far resisted all attempts at decoding)? It must
be obvious that in such circumstances a written / Page 287 / legacy
to the future would be of no value at all, because nobody would be able
to make sense of it.
What one would look for, therefore, would be a
universal language, the kind of language that would be comprehensible
to any technologically advanced society in any epoch, even a thousand
or ten thousand years into the future. Such languages are few
and far between, but mathematics is one of them - and the city of Teotihuacan
may be the calling-card of a lost civilization written
in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical
points and to the shape and size of the earth, would also remain valid
and recognizable for tens of thousands of years, and might be most conveniently
expressed by means of cartography (or in the construction of giant geodetic
monuments like the Great Pyramid of Egypt,
as we shall see).
Another 'constant' in our solar system is the language
of time: the great but regular intervals of time calibrated
by the inch-worm creep of precessional motion. Now, or ten thousand
years in the future, a message that prints out numbers like 72
or 2160 or 4320
or 25,920 should
be instantly intelligible to any civilization that has evolved a modest
talent for mathematics and the ability to detect and measure the almost
imperceptible reverse wobble that the sun appears to make along the
ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would
be a universal language, the kind of
language that would be comprehensible to any technologically advanced
society in any epoch, even a thousand or ten thousand years into the
future.
Such languages are few and far between, but mathematics
is one of them"
"WRITTEN IN THE ETERNAL
LANGUAGE OF MATHEMATICS"
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THE
FAR YONDER SCRIBE
AND OFT TIMES
SHADOWED SUBSTANCES
WATCHED IN FINE
AMAZE
THE
ZED ALIZ
ZED
IN SWIFT
REPEAT SCATTER
STAR DUST AMONGST
THE LETTERS OF THEIR
PROGRESS
AT THE THROW OF
THE NINE NUMBERS
WHEN IN CONJUNCTION
SET
THE
FAR YONDER SCRIBE
MADE RECORD
OF THEIR FALL
NUMBER
9
THE SEARCH FOR
THE SIGMA CODE
Cecil Balmond
1998
Cycles and
Patterns
Page 165
Patterns
"The essence
of mathematics is
to look for
patterns.
Our minds seem
to be organised
to search for
relationships
and sequences.
We look for
hidden orders.
These intuitions
seem to be more
important than the facts themselves,
for there
is always the
thrill at finding
something,
a pattern, it
is a discovery
- what was unknown
is now revealed.
Imagine looking
up at the stars and
finding the zodiac!
Searching out
patterns is
a pure delight.
Suddenly the counters
fall into place
and a connection
is found,
not necessarily a geometric
one, but a relationship
between numbers,
pictures of
the mind, that
were not obvious
before. There
is that excitement
of finding order
in something
that was otherwise
hidden.
And there
is the knowledge
that a huge
unseen world
lurks behind
the facades we see of the numbers
themselves."
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|
|
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
|
171 |
81 |
9 |
1+5 |
|
1+7+1 |
8+1 |
- |
6 |
|
9 |
9 |
9 |
A |
|
|
|
S |
|
|
|
|
|
|
1 |
- |
1 |
- |
1 |
|
|
|
- |
|
|
A |
|
|
|
S |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
B |
|
|
|
T |
|
|
|
|
|
|
2 |
- |
2 |
- |
2 |
|
|
|
- |
|
|
B |
|
|
|
T |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
C |
|
|
|
U |
|
|
|
|
|
|
3 |
- |
3 |
- |
3 |
|
|
|
- |
|
|
C |
|
|
|
U |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
4 |
- |
4 |
- |
4 |
|
|
|
1+2 |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
5 |
- |
5 |
- |
5 |
|
|
|
1+5 |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
6 |
- |
6 |
- |
6 |
|
|
|
1+8 |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
7 |
- |
7 |
- |
7 |
|
|
|
2+1 |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
8 |
- |
8 |
- |
8 |
|
|
|
2+4 |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
9 |
- |
9 |
- |
- |
|
|
|
1+8 |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
1+2+6 |
|
|
5+4 |
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
A+B+C |
6 |
6 |
6 |
2 |
|
2 |
|
|
|
|
3 |
3 |
|
F+G+H |
21 |
21 |
3 |
1 |
|
1 |
|
|
|
|
3 |
3 |
|
J+K+L |
33 |
6 |
6 |
2 |
|
2 |
|
|
|
|
2 |
2 |
|
O+P |
31 |
13 |
4 |
3 |
|
3 |
|
|
|
|
3 |
|
3 |
|
|
|
|
3 |
|
3 |
|
|
|
|
1 |
1 |
|
Z |
26 |
8 |
8 |
|
|
|
|
|
|
|
2+6 |
1+2 |
1+4 |
|
3+5+1 |
1+2+6 |
8+1 |
|
|
|
|
|
|
|
3 |
A+B+C |
6 |
6 |
6 |
- |
D+E |
- |
- |
- |
3 |
F+G+H |
21 |
21 |
3 |
- |
I |
- |
- |
- |
3 |
J+K+L |
33 |
6 |
6 |
- |
M+N |
- |
- |
- |
2 |
O+P |
31 |
13 |
4 |
- |
QRS |
- |
- |
- |
- |
TUV |
- |
- |
- |
- |
WXY |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
12 |
First Total |
117 |
54 |
27 |
2+6 |
Add to Reduce |
1+1+7 |
5+4 |
2+7 |
8 |
Reduce to Deduce |
9 |
9 |
9 |
- |
A+B+C |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
F+G+H |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
J+K+L |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
O+P |
- |
- |
- |
3 |
QRS |
54 |
18 |
9 |
3 |
TUV |
63 |
9 |
9 |
3 |
WXY |
72 |
18 |
9 |
- |
Z |
- |
- |
- |
14 |
First Total |
234 |
72 |
54 |
1+4 |
Add to Reduce |
2+3+4 |
7+2 |
5+4 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
- |
4 |
ZERO |
64 |
28 |
1 |
1 |
3 |
ONE |
34 |
16 |
7 |
2 |
3 |
TWO |
58 |
13 |
4 |
3 |
5 |
THREE |
56 |
29 |
2 |
4 |
4 |
FOUR |
60 |
24 |
6 |
5 |
4 |
FIVE |
42 |
24 |
6 |
6 |
3 |
SIX |
52 |
16 |
7 |
7 |
5 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
4 |
NINE |
42 |
24 |
6 |
45 |
40 |
- |
522 |
225 |
45 |
4+5 |
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
9 |
4 |
- |
9 |
9 |
9 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
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R |
|
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|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
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|
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|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
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|
|
|
|
1 |
|
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|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
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|
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|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
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|
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|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
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|
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|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
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|
|
|
|
5 |
|
|
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|
|
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|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
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|
|
|
|
6 |
|
|
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|
|
|
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|
6 |
|
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|
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|
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|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
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|
7 |
|
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|
|
|
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|
7 |
|
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|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
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|
|
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|
8 |
|
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|
|
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|
8 |
|
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|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
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|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
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I |
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R |
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4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
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26 |
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I |
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R |
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ADVENT 700 ADVENT
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Chapter 1
"Number 34"
"But come and see your room now"
"What a nice room! I can spend a couple of weeks here with pleasure."
Page 663
"Lie down here in the sand! How cool as death it is, / Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour glass, that solemn, fragile toy that adorns the hermit's hut. An open book a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn mysterious essence. . ."
"For the moment, how-ever, and before Holger withdrew to the tranquillity of his hastening while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was difficult to choose. At length, as no one else seemed able to settle, Hans Castorp, with his finger on the glass supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer which none of them succeeded in fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room, that was to say, through number thirty-four.What was the sense of that."
NUMBER THIRTY- FOUR
"WHAT WAS THE SENSE OF THAT"
?
10 |
THIRTY FOUR |
|
|
|
- |
TH |
28 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
T+Y |
45 |
9 |
9 |
- |
F |
6 |
6 |
6 |
- |
O+U |
36 |
9 |
9 |
- |
R |
18 |
18 |
9 |
10 |
THIRTY FOUR |
160 |
70 |
52 |
1+0 |
- |
1+6+0 |
7+0 |
5+2 |
1 |
THIRTY FOUR |
7 |
7 |
7 |
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Number 34
Page 95
"Room 34"
- |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
|
- |
8 |
9 |
- |
- |
- |
|
|
6 |
|
- |
|
|
|
2+3 |
= |
|
= |
|
|
|
- |
|
- |
8 |
9 |
- |
- |
- |
|
- |
15 |
- |
- |
|
|
|
3+2 |
= |
|
= |
|
|
|
- |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
- |
|
2 |
= |
= |
9 |
2 |
7 |
|
6 |
|
3 |
9 |
|
|
|
3+8 |
= |
|
1+1 |
|
|
|
- |
|
20 |
- |
- |
18 |
20 |
25 |
|
6 |
|
21 |
18 |
|
|
|
1+2+8 |
= |
|
1+1 |
|
|
|
- |
10 |
|
|
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|
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|
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|
- |
|
|
- |
- |
|
- |
|
20 |
8 |
9 |
18 |
20 |
25 |
|
6 |
15 |
21 |
18 |
|
|
|
1+6+0 |
= |
|
= |
|
|
|
- |
|
2 |
8 |
9 |
9 |
2 |
7 |
|
6 |
6 |
3 |
9 |
|
|
|
6+1 |
= |
|
= |
|
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|
- |
|
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- |
- |
|
1 |
- |
- |
- |
- |
- |
- |
- |
- |
|
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|
- |
- |
|
|
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|
- |
- |
2 |
- |
- |
- |
2 |
- |
- |
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
-- |
- |
- |
- |
- |
- |
- |
- |
|
|
3 |
- |
- |
|
|
occurs |
x |
|
= |
|
= |
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
|
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|
5 |
- |
- |
- |
- |
- |
- |
- |
- |
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- |
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|
|
|
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|
- |
-- |
- |
- |
- |
- |
- |
- |
- |
6 |
6 |
|
- |
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
- |
-- |
- |
- |
- |
- |
- |
|
- |
|
|
|
- |
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
1+1 |
- |
6+1 |
- |
3+4 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
9 |
9 |
2 |
7 |
|
6 |
6 |
3 |
9 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
|
- |
8 |
9 |
- |
- |
- |
|
|
6 |
|
- |
|
|
|
2+3 |
= |
|
= |
|
|
|
|
- |
8 |
9 |
- |
- |
- |
|
- |
15 |
- |
- |
|
|
|
3+2 |
= |
|
= |
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
2 |
= |
= |
9 |
2 |
7 |
|
6 |
|
3 |
9 |
|
|
|
3+8 |
= |
|
1+1 |
|
|
|
|
20 |
- |
- |
18 |
20 |
25 |
|
6 |
|
21 |
18 |
|
|
|
1+2+8 |
= |
|
1+1 |
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
20 |
8 |
9 |
18 |
20 |
25 |
|
6 |
15 |
21 |
18 |
|
|
|
1+6+0 |
= |
|
= |
|
|
|
|
2 |
8 |
9 |
9 |
2 |
7 |
|
6 |
6 |
3 |
9 |
|
|
|
6+1 |
= |
|
= |
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
- |
- |
- |
2 |
- |
- |
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
-- |
- |
- |
- |
- |
- |
- |
- |
|
|
3 |
- |
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
6 |
6 |
|
- |
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
-- |
- |
- |
- |
- |
- |
|
- |
|
|
|
- |
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
1+1 |
- |
6+1 |
- |
3+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
9 |
9 |
2 |
7 |
|
6 |
6 |
3 |
9 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
|
THIRTY |
100 |
37 |
|
|
FOUR |
60 |
24 |
|
10 |
|
160 |
61 |
9 |
1+0 |
|
1+6+0 |
6+1 |
- |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OU |
36 |
24 |
|
|
R |
18 |
9 |
|
10 |
|
160 |
61 |
43 |
1+0 |
|
1+6+0 |
6+1 |
4+3 |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
IR |
27 |
18 |
|
|
TY |
45 |
9 |
|
|
F |
6 |
6 |
|
|
OUR |
54 |
18 |
|
10 |
|
160 |
61 |
34 |
1+0 |
|
1+6+0 |
6+1 |
3+4 |
1 |
|
7 |
7 |
7 |
- |
|
- |
- |
- |
|
TH |
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
F |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6+0 |
6+1 |
3+4 |
|
|
|
|
|
HEBDOMAD 52 HEBDOMAD
HEBDOMAD 34 HEBDOMAD
HEBDOMAD 7 HEBDOMAD
- |
|
- |
- |
- |
|
HEBDO |
34 |
25 |
|
|
|
|
|
|
|
HEBDOMAD |
|
|
|
- |
|
5+2 |
3+4 |
1+6 |
|
HEBDOMAD |
|
|
|
Definition of hebdomad. 1 :a group of seven. 2 :a period of seven days :week.
- |
HEBDOMAD |
- |
- |
- |
|
H |
8 |
8 |
|
|
E+B |
7 |
7 |
|
- |
D+O |
19 |
10 |
|
|
M+A+D |
18 |
9 |
|
8 |
HEBDOMAD |
52 |
34 |
25 |
- |
- |
5+2 |
3+4 |
2+5 |
8 |
HEBDOMAD |
7 |
7 |
7 |
HEBDOMAD 7 HEBDOMAD
HEBDOMAD 34 HEBDOMAD
HEBDOMAD 52 HEBDOMAD
|
8 |
H |
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
|
|
|
6 |
|
|
|
|
|
|
1+4 |
|
|
= |
|
|
|
- |
- |
8 |
|
|
|
15 |
|
|
|
|
|
|
2+3 |
|
|
= |
|
|
|
|
8 |
H |
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
5 |
2 |
4 |
|
4 |
1 |
4 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
- |
- |
|
5 |
2 |
4 |
|
13 |
1 |
4 |
|
|
|
2+0 |
|
|
= |
|
|
|
|
8 |
H |
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
5 |
2 |
4 |
15 |
13 |
1 |
4 |
|
|
|
5+2 |
|
|
= |
|
|
|
- |
- |
8 |
5 |
2 |
4 |
6 |
4 |
1 |
4 |
|
|
|
3+4 |
|
|
= |
|
|
|
|
8 |
H |
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
- |
|
|
|
1 |
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
- |
|
|
|
2 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-`` |
- |
8 |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
- |
|
|
|
|
|
|
|
2+4 |
|
|
|
|
3+4 |
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Origin of hebdomad. Latin hebdomas hebdomad- the number seven from Greek from hebdomos seventh from hepta seven ; see sept&mlowring; in Indo-European roots.
Hebdomad dictionary definition | hebdomad defined - YourDictionary
www.yourdictionary.com/hebdomad
Hebdomad | Definition of Hebdomad by Merriam-Webster
https://www.merriam-webster.com/dictionary/hebdomad
Definition of hebdomad. 1 :a group of seven. 2 :a period of seven days :week.
Hebdomad - Wikipedia
https://en.wikipedia.org/wiki/Hebdomad
Hebdomad (Ancient Greek: ?ßd?µ??) may refer to: On Hebdomads, a work of the Hippocratic Corpus; Hebdomad, a term used by Neoplatonist philosophers ...
Hebdomad (Ancient Greek: ?ßd?µ??) may refer to:
On Hebdomads, a work of the Hippocratic Corpus
Hebdomad, a term used by Neoplatonist philosophers such as Iamblichus and Proclus in reference to the intellect
The Hebdomad, the seven world-creating archons in most Gnostic systems: see Archon (Gnosticism)#Hebdomad
On Hebdomads (De hebdomadibus), a work of the Neoplatonist Boethius commented upon by Thomas Aquinas, in which the hebdomads are common mental conceptions or axioms
The Celestial Hebdomad, the archons who make up the ruling council of Mount Celestia in Dungeons & Dragons
SIGNALS WHAT SIGNALS
SIGNALS
OF
THAT THAT THAT
HOLY
ISISISIS
. . .
I
THAT I THAT
I
AM
ISISIS
THAT QUEST THAT
I
AM ON
O
NAMUH
THAT
DIVINE CREATORS CREATORS DIVINE
QUEST THAT THE HE AZIN SHE THAT IZ THEE THAT IZ ME IZ ON THAT QUEST
THAT
ISISIS
THAT
I THAT ME THAT I
THAT YOU THAT
THOUGHT
I
ME
YOU THAT YOU
THAT
DIVINE THOUGHT IS IS IS THOUGHT DIVINE
ISISIS EVERYTHING EVERYTHING ISISIS
I AM LIFE EVERLASTING EVERLASTING LIFE AM I
THEREFORE THOU ART EVERLASTING LIFE LIFE EVERLASTING ART THOU THEREFORE
Every breath you take Every move you make Every bond you break Every step you take Ill be watching you Every single day Every word you say ... www.lyricsfreak.com/p/police/every+breath+you+take
EVERY BREATH YOU TAKE
Every breath you take Every move you make Every bond you break
Every step you take
Ill be watching you
Every single day
Every word you say Every game you play Every night you stay
Ill be watching you
Oh, cant you see You belong to me How my poor heart aches
With every step you take
Every move you make
Every vow you break Every smile you fake Every claim you stake
Ill be watching you
Since youve gone I been lost without a trace I dream at night I can only see your face
I look around but its you I cant replace I feel so cold and I long for your embrace I keep crying baby, baby, please...
Oh, cant you see
You belong to me How my poor heart aches With every breath you take
Every move you make Every vow you break
Every smile you fake
Every claim you stake
Ill be watching you
Every move you make
Every step you take
Ill be watching
you Ill
be watching you
Ill be watching
you Ill
be watching you
Ill be watching
you
4 |
|
54 |
18 |
|
5 |
|
45 |
18 |
|
|
First Total |
|
|
|
- |
Add to Reduce |
9+9 |
3+6 |
1+8 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
|
|
Essence of Number |
|
|
|
7 |
WINNING |
67 |
13 |
4 |
|
W |
23 |
5 |
|
|
I |
9 |
9 |
|
|
N |
14 |
5 |
|
|
N |
14 |
5 |
|
|
I |
9 |
9 |
|
|
N |
14 |
5 |
|
|
G |
7 |
7 |
|
7 |
WINNING |
90 |
45 |
45 |
- |
- |
9+0 |
4+5 |
4+5 |
7 |
WINNING |
9 |
9 |
9 |
10 |
CODE DE CODE |
67 |
13 |
4 |
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
|
D+E |
9 |
9 |
|
|
C+O |
18 |
9 |
|
|
D+E |
9 |
9 |
|
10 |
CODE DE CODE |
63 |
36 |
36 |
1+0 |
- |
6+3 |
3+6 |
3+6 |
1 |
CODE DE CODE |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
15 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
3 |
|
4 |
5 |
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
3 |
15 |
4 |
5 |
|
|
|
2+7 |
|
|
|
|
- |
- |
3 |
6 |
4 |
5 |
|
|
|
1+8 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
|
15 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
3 |
|
4 |
5 |
|
|
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
3 |
15 |
4 |
5 |
|
|
|
2+7 |
|
|
|
|
- |
3 |
6 |
4 |
5 |
|
|
|
1+8 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
3 |
- |
|
|
|
|
|
occurs |
x |
|
= |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
- |
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
|
- |
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
- |
CODE |
|
|
- |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODE |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODER |
|
|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
- |
SIGN |
|
|
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
1 |
N |
14 |
5 |
|
4 |
SIGN |
49 |
31 |
22 |
- |
- |
4+9 |
3+1 |
2+2 |
4 |
SIGN |
13 |
4 |
4 |
- |
-- |
1+3 |
- |
- |
4 |
SIGN |
4 |
4 |
4 |
|
6 |
|
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|
- |
|
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- |
- |
- |
1 |
9 |
|
5 |
|
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|
1+5 |
|
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|
- |
- |
19 |
9 |
|
14 |
|
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|
4+2 |
|
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6 |
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- |
- |
- |
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7 |
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- |
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6 |
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- |
- |
- |
19 |
9 |
7 |
14 |
|
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|
4+9 |
|
|
1+3 |
|
- |
- |
1 |
9 |
7 |
5 |
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2+2 |
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6 |
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- |
- |
- |
1 |
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occurs |
x |
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= |
1 |
2 |
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- |
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- |
3 |
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- |
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- |
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4 |
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- |
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- |
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- |
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6 |
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- |
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occurs |
x |
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= |
7 |
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8 |
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- |
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- |
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occurs |
x |
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= |
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22 |
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2+3 |
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2+2 |
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- |
|
2+2 |
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1 |
9 |
7 |
5 |
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- |
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6 |
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- |
- |
- |
1 |
9 |
|
5 |
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1+5 |
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- |
- |
19 |
9 |
|
14 |
|
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|
4+2 |
|
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6 |
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- |
- |
- |
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7 |
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6 |
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- |
- |
- |
19 |
9 |
7 |
14 |
|
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|
4+9 |
|
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1+3 |
|
- |
- |
1 |
9 |
7 |
5 |
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2+2 |
|
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6 |
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- |
- |
- |
1 |
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occurs |
x |
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= |
1 |
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- |
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occurs |
x |
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= |
5 |
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- |
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occurs |
x |
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= |
7 |
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- |
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occurs |
x |
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= |
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2+3 |
|
- |
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2+2 |
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2+2 |
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1 |
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7 |
5 |
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- |
SIGNAL |
- |
- |
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
7 |
SIGNAL |
62 |
35 |
26 |
- |
|
6+2 |
3+5 |
2+6 |
7 |
SIGNAL |
8 |
8 |
8 |
|
6 |
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- |
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- |
- |
- |
1 |
9 |
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5 |
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1+5 |
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- |
- |
19 |
9 |
|
14 |
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|
4+2 |
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6 |
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- |
- |
- |
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7 |
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1 |
3 |
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1+1 |
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- |
- |
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7 |
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1 |
12 |
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2+0 |
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6 |
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- |
- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
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|
6+2 |
|
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- |
- |
1 |
9 |
7 |
5 |
1 |
3 |
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2+6 |
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6 |
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- |
- |
- |
1 |
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occurs |
x |
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= |
1 |
2 |
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- |
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occurs |
x |
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= |
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4 |
|
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- |
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occurs |
x |
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= |
5 |
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6 |
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- |
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occurs |
x |
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= |
7 |
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8 |
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- |
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occurs |
x |
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= |
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25 |
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2+0 |
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2+5 |
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- |
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2+6 |
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1 |
9 |
7 |
5 |
1 |
3 |
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- |
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- |
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- |
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- |
- |
1 |
9 |
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5 |
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1+5 |
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- |
19 |
9 |
|
14 |
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4+2 |
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6 |
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- |
- |
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7 |
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1 |
3 |
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1+1 |
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- |
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7 |
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1 |
12 |
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2+0 |
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6 |
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- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
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|
6+2 |
|
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- |
1 |
9 |
7 |
5 |
1 |
3 |
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2+6 |
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6 |
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- |
- |
1 |
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occurs |
x |
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= |
1 |
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|
occurs |
x |
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= |
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- |
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|
occurs |
x |
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= |
5 |
|
- |
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|
occurs |
x |
|
= |
7 |
|
- |
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|
occurs |
x |
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= |
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|
25 |
|
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- |
- |
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2+5 |
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- |
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2+6 |
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1 |
9 |
7 |
5 |
1 |
3 |
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- |
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|
SIGNALS WHAT SIGNALS
7 |
SIGNALS |
81 |
27 |
9 |
4 |
WHAT |
52 |
16 |
7 |
7 |
SIGNALS |
81 |
27 |
9 |
- |
SIGNALS |
- |
- |
- |
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
1 |
S |
19 |
10 |
|
7 |
SIGNALS |
81 |
45 |
27 |
- |
-- |
8+1 |
4+5 |
2+7 |
7 |
SIGNALS |
9 |
9 |
9 |
|
7 |
|
|
|
|
|
|
|
- |
|
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|
- |
- |
- |
1 |
9 |
|
5 |
|
|
1 |
|
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|
1+6 |
|
|
|
|
- |
- |
19 |
9 |
|
14 |
|
|
19 |
|
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|
6+1 |
|
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|
7 |
|
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|
- |
- |
- |
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|
7 |
|
1 |
3 |
|
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|
1+1 |
|
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|
- |
- |
|
|
7 |
|
1 |
12 |
|
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|
2+0 |
|
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|
7 |
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|
- |
- |
- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
19 |
|
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|
8+1 |
|
|
|
|
- |
- |
1 |
9 |
7 |
5 |
1 |
3 |
1 |
|
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|
2+7 |
|
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|
7 |
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- |
- |
- |
1 |
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1 |
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|
occurs |
x |
|
= |
3 |
2 |
|
- |
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- |
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- |
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- |
- |
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- |
- |
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occurs |
x |
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= |
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4 |
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- |
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- |
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- |
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occurs |
x |
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= |
5 |
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6 |
|
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- |
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- |
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- |
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occurs |
x |
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= |
7 |
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8 |
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- |
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- |
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- |
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occurs |
x |
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= |
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|
25 |
|
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|
2+0 |
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- |
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2+5 |
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- |
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2+7 |
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1 |
9 |
7 |
5 |
1 |
3 |
1 |
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- |
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7 |
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- |
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- |
- |
1 |
9 |
|
5 |
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1 |
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|
1+6 |
|
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|
- |
19 |
9 |
|
14 |
|
|
19 |
|
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|
6+1 |
|
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7 |
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- |
- |
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7 |
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1 |
3 |
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|
1+1 |
|
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- |
|
|
7 |
|
1 |
12 |
|
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|
2+0 |
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7 |
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- |
- |
- |
19 |
9 |
7 |
14 |
1 |
12 |
19 |
|
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|
8+1 |
|
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|
- |
1 |
9 |
7 |
5 |
1 |
3 |
1 |
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|
2+7 |
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7 |
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- |
- |
1 |
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1 |
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occurs |
x |
|
= |
3 |
|
- |
- |
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|
occurs |
x |
|
= |
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- |
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- |
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|
occurs |
x |
|
= |
5 |
|
- |
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- |
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|
occurs |
x |
|
= |
7 |
|
- |
|
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|
- |
|
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|
occurs |
x |
|
= |
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|
25 |
|
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|
- |
- |
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- |
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2+5 |
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- |
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2+7 |
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1 |
9 |
7 |
5 |
1 |
3 |
1 |
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- |
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|
- |
A SIGNAL |
- |
- |
- |
1 |
A |
1 |
1 |
|
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
7 |
A SIGNAL |
63 |
36 |
27 |
- |
- |
6+3 |
3+6 |
2+7 |
7 |
A SIGNAL |
9 |
9 |
9 |
|
7 |
|
|
|
|
|
|
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|
- |
|
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|
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|
- |
- |
- |
|
- |
1 |
9 |
|
5 |
|
|
|
|
|
1+5 |
|
|
|
|
- |
- |
|
- |
19 |
9 |
|
14 |
|
|
|
|
|
4+2 |
|
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|
7 |
|
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- |
- |
- |
1 |
|
|
|
7 |
|
1 |
3 |
|
|
|
1+1 |
|
|
|
|
- |
- |
1 |
|
|
|
7 |
|
1 |
12 |
|
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|
2+1 |
|
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|
7 |
|
|
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|
|
- |
- |
- |
- |
1 |
- |
19 |
9 |
7 |
14 |
1 |
12 |
|
|
|
6+3 |
|
|
|
|
- |
- |
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
|
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|
2+7 |
|
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|
7 |
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- |
- |
- |
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- |
1 |
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occurs |
x |
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= |
3 |
2 |
|
|
- |
- |
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- |
- |
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occurs |
x |
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= |
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4 |
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- |
- |
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occurs |
x |
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= |
5 |
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6 |
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- |
- |
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occurs |
x |
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= |
7 |
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8 |
|
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- |
- |
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occurs |
x |
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= |
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25 |
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2+0 |
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- |
- |
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2+5 |
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- |
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2+7 |
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1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
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- |
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7 |
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- |
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- |
- |
|
- |
1 |
9 |
|
5 |
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1+5 |
|
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- |
|
- |
19 |
9 |
|
14 |
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4+2 |
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7 |
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- |
- |
- |
1 |
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7 |
|
1 |
3 |
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|
1+1 |
|
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- |
1 |
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|
7 |
|
1 |
12 |
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2+1 |
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7 |
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- |
- |
1 |
- |
19 |
9 |
7 |
14 |
1 |
12 |
|
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|
6+3 |
|
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|
- |
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
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|
2+7 |
|
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|
7 |
|
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- |
- |
|
- |
1 |
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occurs |
x |
|
= |
3 |
|
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- |
- |
|
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|
occurs |
x |
|
= |
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- |
- |
|
|
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|
occurs |
x |
|
= |
5 |
|
|
- |
- |
|
|
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|
|
|
|
occurs |
x |
|
= |
7 |
|
|
- |
- |
|
|
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|
occurs |
x |
|
= |
|
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|
25 |
|
|
|
|
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- |
- |
- |
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|
2+5 |
|
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- |
|
2+7 |
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|
1 |
- |
1 |
9 |
7 |
5 |
1 |
3 |
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- |
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|
|
|
|
- |
O THAT SIGNAL |
-- |
-- |
-- |
1 |
O |
15 |
6 |
|
1 |
T |
20 |
2 |
|
2 |
HA |
9 |
9 |
|
1 |
T |
20 |
2 |
|
1 |
S |
19 |
10 |
|
1 |
I |
9 |
9 |
|
1 |
G |
7 |
7 |
|
3 |
NAL |
27 |
9 |
|
11 |
O THAT SIGNAL |
126 |
54 |
45 |
1+1 |
- |
1+2+6 |
5+4 |
4+5 |
2 |
O THAT SIGNAL |
9 |
9 |
9 |
- |
O THAT SIGNAL |
-- |
-- |
-- |
1 |
O |
15 |
6 |
|
4 |
THAT |
49 |
13 |
|
6 |
SIGNAL |
62 |
26 |
|
11 |
O THAT SIGNAL |
126 |
45 |
18 |
1+1 |
- |
1+2+6 |
4+5 |
1+8 |
2 |
O THAT SIGNAL |
9 |
9 |
9 |
|
11 |
|
- |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
- |
- |
6 |
|
|
8 |
|
|
|
1 |
9 |
|
5 |
|
|
|
|
|
2+9 |
|
|
1+1 |
|
- |
- |
15 |
|
|
8 |
|
|
|
19 |
9 |
|
14 |
|
|
|
|
|
6+5 |
|
|
1+1 |
|
|
11 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
2 |
|
1 |
2 |
|
|
|
7 |
|
1 |
3 |
|
|
|
1+6 |
|
|
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|
- |
- |
|
|
20 |
|
1 |
20 |
|
|
|
7 |
|
1 |
12 |
|
|
|
6+1 |
|
|
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|
11 |
|
|
|
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|
|
|
|
|
|
|
|
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|
- |
- |
- |
- |
15 |
|
20 |
8 |
1 |
20 |
|
19 |
9 |
7 |
14 |
1 |
12 |
|
|
|
1+2+6 |
|
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|
- |
- |
6 |
|
2 |
8 |
1 |
2 |
|
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
4+5 |
|
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|
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|
11 |
|
|
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- |
- |
- |
|
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|
1 |
|
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|
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|
occurs |
x |
|
= |
3 |
- |
|
|
|
2 |
|
|
2 |
|
- |
|
|
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|
occurs |
x |
|
= |
4 |
|
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|
occurs |
x |
|
= |
|
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|
4 |
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|
|
|
|
- |
|
|
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|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
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|
occurs |
x |
|
= |
7 |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
- |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
|
|
|
|
|
- |
1+1 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
4+1 |
|
|
1+1 |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
8 |
1 |
2 |
|
1 |
9 |
7 |
5 |
1 |
3 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
|
2 |
AM |
14 |
5 |
|
3 |
THE |
33 |
15 |
|
6 |
BOWMAN |
68 |
23 |
|
1 |
I |
9 |
9 |
|
4 |
DRAW |
46 |
19 |
|
3 |
THE |
33 |
15 |
|
5 |
GREAT |
51 |
24 |
|
3 |
BOW |
40 |
13 |
|
28 |
First Total |
303 |
132 |
51 |
2+8 |
Add to Reduce |
3+0+3 |
1+3+2 |
5+1 |
10 |
Second Total |
6 |
6 |
6 |
1+0 |
Reduce to Deduce |
|
|
|
1 |
Essence of Number |
6 |
6 |
6 |
MIN DOTH DREAM WHAT DOTH MIN MEAN
E |
= |
5 |
- |
8 |
EIGHTEEN |
73 |
46 |
1 |
A |
= |
1 |
- |
9 |
THIRTYSIX |
152 |
53 |
8 |
- |
- |
|
|
17 |
First Total |
|
|
|
- |
- |
|
- |
1+7 |
Add to Reduce |
2+2+5 |
9+9 |
|
Q |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
|
- |
1+7 |
Reduce to Deduce |
- |
1+8 |
|
Q |
- |
|
- |
|
Essence of Number |
|
|
|
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
- |
QUO
VADIS |
- |
- |
|
1 |
Q |
17 |
8 |
|
2 |
UO |
36 |
9 |
|
3 |
VAD |
27 |
9 |
|
1 |
I |
9 |
9 |
|
1 |
S |
19 |
1 |
|
8 |
QUO VADIS |
108 |
36 |
36 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
- |
QUO
VADIS |
- |
- |
|
3 |
QUO |
17 |
8 |
|
5 |
VADIS |
27 |
9 |
|
8 |
QUO VADIS |
108 |
36 |
36 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
- |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
|
9 |
1 |
|
|
|
1+6 |
|
|
- |
|
- |
- |
- |
- |
15 |
- |
- |
- |
|
9 |
19 |
|
|
|
- |
|
|
- |
7 |
- |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
3 |
|
- |
4 |
1 |
4 |
- |
- |
|
|
|
2+0 |
|
|
2+0 |
|
- |
- |
17 |
21 |
|
- |
22 |
1 |
4 |
- |
- |
|
|
|
6+5 |
|
|
1+1 |
2 |
- |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
17 |
21 |
15 |
- |
22 |
1 |
4 |
9 |
19 |
|
|
|
1+0+8 |
|
|
- |
9 |
- |
- |
8 |
3 |
6 |
- |
4 |
1 |
4 |
9 |
1 |
|
|
|
3+6 |
|
|
- |
|
- |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
1 |
|
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
2 |
``- |
``- |
- |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
- |
- |
- |
``- |
- |
3 |
|
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
- |
- |
4 |
- |
4 |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
5 |
- |
- |
- |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
6 |
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
7 |
- |
- |
- |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
- |
- |
- |
- |
8 |
- |
|
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
- |
- |
- |
|
- |
- |
- |
|
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
14 |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
1+4 |
- |
- |
|
|
- |
- |
|
|
|
|
- |
- |
3+1 |
|
|
- |
|
3+6 |
5 |
8 |
Q |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
- |
8 |
3 |
6 |
- |
4 |
1 |
4 |
|
1 |
- |
- |
- |
|
|
- |
|
- |
5 |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
|
9 |
1 |
|
|
|
1+6 |
|
|
- |
|
- |
- |
- |
15 |
- |
- |
- |
|
9 |
19 |
|
|
|
- |
|
|
- |
7 |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
3 |
|
- |
4 |
1 |
4 |
- |
- |
|
|
|
2+0 |
|
|
2+0 |
|
- |
17 |
21 |
|
- |
22 |
1 |
4 |
- |
- |
|
|
|
6+5 |
|
|
1+1 |
2 |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
17 |
21 |
15 |
- |
22 |
1 |
4 |
9 |
19 |
|
|
|
1+0+8 |
|
|
- |
9 |
- |
8 |
3 |
6 |
- |
4 |
1 |
4 |
9 |
1 |
|
|
|
3+6 |
|
|
- |
|
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
1 |
|
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
``- |
- |
3 |
|
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
- |
4 |
- |
4 |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
- |
- |
6 |
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
- |
8 |
- |
|
- |
|
- |
|
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
- |
- |
- |
|
- |
- |
- |
|
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
8 |
Q |
|
|
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
|
|
- |
- |
3+1 |
|
|
- |
|
3+6 |
8 |
Q |
|
|
|
|
|
|
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WHITHER |
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GOEST |
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THOU |
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SALUTATIONS
PEOPLES OF PLANET EARTH
THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT
UNTO
ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
RISHI
Rishi: Hindu - Hinduism Dictionary on Rishi
rishi: (Sanskrit) "Seer."
"A term for an enlightened being, emphasizing psychic perception and visionary wisdom. In the Vedic age, rishis lived in forest or mountain retreats, either alone or with disciples. These rishis were great souls who were the inspired conveyers of the Vedas. Seven particular rishis (the sapta-rishis) mentioned in the Rig Veda are said to still guide mankind from the inner worlds."
See: shruti.
(See also: Rishi , Hinduism, Body Mind and Soul)
http://www.experiencefestival.com/a/Rishi/id/61594
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http://en.wikipedia.org/wiki/Rishi
RISHI
ETYMOLOGY
The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".
In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.
Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.
In Vedic astronomy, the Saptarshi form the constellation of Ursa Maior (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarshi may stand for the seven senses or the seven vital airs of the body.
"Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas"
"In Vedic astronomy, the Saptarshi form the constellation of Ursa Maior"
"Saptarshi may stand for the seven senses or the seven vital airs of the body"
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
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SAPTARSHI |
111 |
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SAPTARSHI A STAR SHIP A STAR
SHIP SAPTARSHI
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- |
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- |
- |
1 |
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2 |
1 |
9 |
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7 |
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2+0 |
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- |
- |
1 |
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|
20 |
1 |
18 |
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|
16 |
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|
5+6 |
|
|
1+1 |
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-- |
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- |
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- |
- |
1 |
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19 |
20 |
1 |
18 |
19 |
8 |
9 |
16 |
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1+1+1 |
|
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- |
- |
1 |
|
1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
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3+9 |
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1+2 |
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- |
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- |
- |
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- |
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- |
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occurs |
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= |
4 |
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- |
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occurs |
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- |
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- |
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- |
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occurs |
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= |
7 |
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- |
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occurs |
x |
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= |
8 |
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- |
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- |
|
9 |
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9 |
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occurs |
x |
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= |
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1+8 |
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1+8 |
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- |
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2+7 |
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3+9 |
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3+0 |
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1 |
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1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
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1+2 |
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- |
- |
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- |
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1 |
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1 |
8 |
9 |
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1+9 |
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1+0 |
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- |
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19 |
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19 |
8 |
9 |
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5+5 |
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1+0 |
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- |
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- |
1 |
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2 |
1 |
9 |
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7 |
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2+0 |
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- |
1 |
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20 |
1 |
18 |
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16 |
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5+6 |
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1+1 |
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- |
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- |
1 |
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19 |
20 |
1 |
18 |
19 |
8 |
9 |
16 |
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1+1+1 |
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- |
1 |
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1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
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3+9 |
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1+2 |
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- |
- |
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- |
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occurs |
x |
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= |
4 |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
7 |
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occurs |
x |
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= |
8 |
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- |
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9 |
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9 |
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occurs |
x |
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= |
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1+8 |
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- |
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2+7 |
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3+9 |
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3+0 |
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1 |
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1 |
2 |
1 |
9 |
1 |
8 |
9 |
7 |
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1+2 |
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9 |
SAPTARSHI |
111 |
39 |
12 |
|
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|
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
|
SHIP |
52 |
25 |
|
|
IS |
19 |
10 |
|
13 |
Add to Reduce |
162 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+6+2 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
|
SHAPESHIFTERS |
|
|
- |
|
SHAPE |
49 |
22 |
|
|
SHIFTERS |
104 |
41 |
|
13 |
SHAPESHIFTERS |
153 |
63 |
|
1+3 |
|
1+5+3 |
6+3 |
|
4 |
|
9 |
9 |
|
-- |
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- |
- |
|
- |
- |
1 |
8 |
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1 |
8 |
9 |
|
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1 |
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|
2+8 |
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|
1+0 |
|
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|
- |
- |
19 |
8 |
|
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|
19 |
8 |
9 |
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|
19 |
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|
8+2 |
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|
1+0 |
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-- |
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- |
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- |
- |
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1 |
7 |
5 |
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6 |
2 |
5 |
9 |
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3+5 |
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- |
- |
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1 |
16 |
5 |
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6 |
20 |
5 |
18 |
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7+1 |
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-- |
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- |
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- |
- |
19 |
8 |
1 |
16 |
5 |
19 |
8 |
9 |
6 |
20 |
5 |
18 |
19 |
|
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|
1+5+3 |
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- |
- |
1 |
8 |
1 |
7 |
5 |
1 |
8 |
9 |
6 |
2 |
5 |
9 |
1 |
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6+3 |
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- |
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- |
- |
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- |
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- |
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occurs |
x |
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= |
4 |
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- |
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occurs |
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= |
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- |
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5 |
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- |
5 |
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occurs |
x |
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= |
|
1+0 |
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6 |
- |
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occurs |
x |
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= |
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- |
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- |
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occurs |
x |
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= |
7 |
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- |
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occurs |
x |
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= |
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1+6 |
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- |
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|
9 |
|
- |
|
9 |
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occurs |
x |
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= |
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1+8 |
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1+3 |
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- |
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3+8 |
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1+3 |
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6+3 |
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3+6 |
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1 |
8 |
1 |
7 |
5 |
1 |
8 |
9 |
6 |
2 |
5 |
9 |
1 |
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1+1 |
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- |
- |
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- |
1 |
8 |
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1 |
8 |
9 |
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1 |
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2+8 |
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1+0 |
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- |
19 |
8 |
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19 |
8 |
9 |
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19 |
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8+2 |
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1+0 |
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- |
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- |
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1 |
7 |
5 |
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6 |
2 |
5 |
9 |
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3+5 |
|
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|
- |
|
|
1 |
16 |
5 |
|
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|
6 |
20 |
5 |
18 |
|
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7+1 |
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- |
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- |
19 |
8 |
1 |
16 |
5 |
19 |
8 |
9 |
6 |
20 |
5 |
18 |
19 |
|
|
|
1+5+3 |
|
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|
|
- |
1 |
8 |
1 |
7 |
5 |
1 |
8 |
9 |
6 |
2 |
5 |
9 |
1 |
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6+3 |
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- |
- |
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- |
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occurs |
x |
|
= |
4 |
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occurs |
x |
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= |
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5 |
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- |
5 |
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occurs |
x |
|
= |
|
1+0 |
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6 |
- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
7 |
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occurs |
x |
|
= |
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1+6 |
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|
9 |
|
- |
|
9 |
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occurs |
x |
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= |
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1+8 |
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1+3 |
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- |
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3+8 |
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1+3 |
|
6+3 |
|
3+6 |
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|
1 |
8 |
1 |
7 |
5 |
1 |
8 |
9 |
6 |
2 |
5 |
9 |
1 |
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|
1+1 |
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http://en.wikipedia.org/wiki/Rishi
WIKEPEDIA
RISHI
n Vedic astronomy, the Saptarshi form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarshi may stand for the seven senses or the seven vital airs of the body.
SAPTARSHI A STARSHIP SAPTARSHI
SAPTARSHI A PAST RISHI SAPTARSHI
1 |
I |
9 |
9 |
9 |
2 |
IS |
28 |
19 |
1 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
4 |
IRIS |
55 |
28 |
1 |
6 |
SIRIUS |
95 |
32 |
5 |
6 |
SOTHIS |
90 |
27 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
ISHI |
45 |
27 |
9 |
5 |
RISHI |
63 |
36 |
9 |
5 |
IRISH |
63 |
36 |
9 |
`- |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
- |
- |
6 |
- |
- |
+ |
= |
6 |
|
= |
6 |
= |
6 |
- |
- |
- |
15 |
- |
- |
+ |
= |
15 |
1+5 |
= |
6 |
|
6 |
- |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
- |
3 |
- |
4 |
5 |
+ |
= |
12 |
1+2 |
= |
3 |
= |
3 |
- |
- |
12 |
- |
22 |
5 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
- |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
- |
12 |
15 |
22 |
5 |
+ |
= |
54 |
5+4 |
= |
9 |
|
9 |
- |
- |
3 |
6 |
4 |
5 |
+ |
= |
18 |
1+8 |
= |
9 |
= |
9 |
- |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
3 |
occurs |
x |
1 |
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
4 |
occurs |
x |
1 |
= |
4 |
- |
- |
- |
- |
- |
5 |
- |
- |
5 |
occurs |
x |
1 |
= |
5 |
- |
- |
- |
6 |
- |
- |
- |
- |
6 |
occurs |
x |
1 |
= |
6 |
7 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
27 |
4 |
L |
O |
V |
E |
- |
- |
18 |
- |
- |
4 |
- |
18 |
2+7 |
- |
- |
- |
- |
- |
- |
- |
1+8 |
- |
- |
- |
- |
1+8 |
9 |
4 |
L |
O |
V |
E |
- |
- |
9 |
- |
- |
4 |
- |
9 |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
- |
6 |
- |
- |
+ |
= |
6 |
|
= |
6 |
= |
6 |
- |
- |
15 |
- |
- |
+ |
= |
15 |
1+5 |
= |
6 |
|
6 |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
3 |
- |
4 |
5 |
+ |
= |
12 |
1+2 |
= |
3 |
= |
3 |
- |
12 |
- |
22 |
5 |
+ |
= |
39 |
3+9 |
= |
12 |
1+2 |
3 |
4 |
L |
O |
V |
E |
- |
- |
- |
- |
- |
-- |
- |
- |
- |
12 |
15 |
22 |
5 |
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= |
54 |
5+4 |
= |
9 |
|
9 |
- |
3 |
6 |
4 |
5 |
+ |
= |
18 |
1+8 |
= |
9 |
= |
9 |
4 |
L |
O |
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- |
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- |
- |
- |
- |
- |
- |
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3 |
- |
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- |
- |
- |
3 |
occurs |
x |
1 |
= |
3 |
- |
- |
- |
4 |
- |
- |
- |
4 |
occurs |
x |
1 |
= |
4 |
- |
- |
- |
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5 |
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5 |
occurs |
x |
1 |
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5 |
- |
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6 |
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6 |
occurs |
x |
1 |
= |
6 |
4 |
L |
O |
V |
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- |
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18 |
- |
- |
4 |
- |
18 |
- |
- |
- |
- |
- |
- |
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1+8 |
- |
- |
- |
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1+8 |
4 |
L |
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V |
E |
- |
- |
9 |
- |
- |
4 |
- |
9 |
I
THAT
AM AT MAAT AT AM
My little
man. Thou shalt have a fish, Thou shalt have a fin,
Thou shalt have a haddock
When the boat comes in; Thou shalt have a codling
Boiled in a pan - ...
www.contemplator.com/sea/daddy.html
This song also appears
with slight
variation in
the name. It was a broadside printed
in the Newcastle Songster as Dance to Thee Daddy. It was printed
in a collection of ballads from
Northern England by William Watson (died 1840) as Dance ti' thy Daddy.*
This version
was collected in Berkshire
and appears in a Cecil Sharp collection (1909).
Dance to
your daddy,
My little laddie,
Dance to your
daddy,
My little man.
Thou shalt have a fish,
Thou shalt have a fin,
Thou shalt have a haddock
When the boat
comes in;
Thou shalt have a codling
Boiled in a pan -
Dance to your
daddy,
My little man.
Dance to your
daddy,
My little laddie,
Dance to your
daddy,
My little lamb.
When thou art a man
And fit
to take a wife,
Thou shalt wed a maid
And love her all your life;
She shall
be your lassie,
Thou shalt be her man
Dance to your
daddy, My little lamb